I was commisioned to revamp an existing Whale Skeleton exhibition. There was no money for re-setting the bones or redecorating, so I worked with my cameraman friend Stein Stie to relight the place on a shoestring. Halogen worklights got a makeover with barn-doors that we bolted on. We gelled out the windows to create some underwater contrast, then lit the skeletons as if they were Henry Moore sculptures.